After a long journey, my PhD dissertation is finally finished, approved, and printed, albeit only in a very small, privately published run. The only thing that now stands between me and my doctorate is the public defence on Tuesday, 20 June 2017, 2 pm sharp, at the Agnietenkapel in the heart of Amsterdam. And just to make that very clear: ‘public’ means that everybody is welcome to attend. If you’re still hesitating, you might want to read on to get a better idea of what my book is all about.
Public Thesis Defence on 20 June: ‘Spiritual Alchemy from the Age of Jacob Boehme to Mary Anne Atwood, 1600-1900’
In a sure sign that my time as a PhD candidate in Amsterdam is running out, a job ad looking for my successor are now out and about.You can still apply for another month, until the closing date (15 July).
Giving birth to a brainchild on the scale of a PhD thesis is never easy, but I can assure you that circumstances here are better than in many other settings I could think of. To a significant extent, this is due to the fact that PhD candidates in the Netherlands have traditionally been viewed as junior academics with salaries, rather than mere students. (The only downside is that you won’t be eligible for student discounts.)
If you’d like to know more about what it’s like to do a PhD in this setting, drop me a line or two with your main questions.
It’s been eerily quiet around here for too long! Many things have happened since I ceased posting more regularly, and perhaps I’ll find time to dwell on some of them in the future. Among other things, I have devoted much of my time to intensive manuscript research, which has come to be defining for my PhD thesis. But for now, I would like to advertise the all-new call for papers for this year’s postgraduate workshop of the Society for the History of Alchemy and Chemistry (SHAC). I’m particularly thrilled about the keynote lecturers and the collaboration with ARTECHNE at Utrecht University…
This year’s conference season was brief but intense for me, with conferences back to back in London and Görlitz. Instead of writing about my own talks, I’ve decided to highlight a few papers by other scholars that I particularly enjoyed. This post will give you a glimpse of some of the debates on prophecy and astrology and, particularly, more or less sane prophets I learnt about while participating in the ‘Revisiting Early Modern Prophecies’ conference at Goldsmiths, University of London, convened by Ariel Hessayon and Lionel Laborie. My selection is, of course, highly subjective, and my hazy memory and notes might sometimes blur the line between the actual talks and the thought processes they sparked off. But that should rather be seen as a compliment to the speaker, shouldn’t it?
And now for something completely different: football. Admittedly, I have but the most tenuous of excuses for this excursion, provided in a roundabout manner by the ‘Revisiting Early Modern Prophecies’ conference (26-28 June). It also feel like something of a coming-out, to be honest: until two years ago, I did not give an elitist fiddler’s fart about football.
Marieke Hendriksen (University of Groningen), my blogging colleague from The Medicine Chest, also stopped by at the alchemy exhibition in Düsseldorf, filling you in on the modern section of the exhibition I had missed…
May and June have a lot of bank holidays in the Netherlands, and this year we decided to use one of the bank holiday weekends for a short road trip to Germany. It gave me to opportunity to visit the exhibition Art and Alchemy at the Düsseldorf Museum Kunstpalast, which alone was worth the trip. This extremely well-researched exhibition brings together unique documents and objects, like the Ripley Scrolls, the Leiden Papyri, porcelain, glass, distillation apparatus and historical and contemporary art works.
As I have discussed before on this blog, alchemy was strongly connected to medicine in the early modern era, so this was an exhibition I definitely wanted to see. The curators have done a great job, visualizing the connections between early modern art, alchemy and medicine through intelligent matching of objects, images and texts.
The exhibition is divided over two spaces: one focuses…
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Yesterday I went on a pilgrimage to Düsseldorf to see the alchemy exhibition currently running at the Museum Kunstpalast. I chose this particular date because of an event announced as a book launch that actually turned out to be a guided tour through the exhibition. A handful of attendees had the privilege of being guided through the marvels of pre-modern alchemy by Sven Dupré and Lawrence M. Principe, who had himself contributed some exhibition pieces.