After a long journey, my PhD dissertation is finally finished, approved, and printed, albeit only in a very small, privately published run. The only thing that now stands between me and my doctorate is the public defence on Tuesday, 20 June 2017, 2 pm sharp, at the Agnietenkapel in the heart of Amsterdam. And just to make that very clear: ‘public’ means that everybody is welcome to attend. If you’re still hesitating, you might want to read on to get a better idea of what my book is all about.
From the back cover:
‘Spiritual alchemy’ is a contested term that is often accompanied by far-reaching claims about the presumed essence of alchemy.
Despite the troubled past of this term, this study reclaims ‘spiritual alchemy’ as a precisely definable category for historical research. The term stands for the practical pursuit of inward but physically real transmutation, its goal being the reversal of the Fall as a preparation for the resurrection of the dead at the Last Judgment.
Spiritual alchemy in this sense first developed around the turn of the seventeenth century, due to the confluence of two important currents: German mysticism and alchemical Paracelsianism. In underground networks of religious dissenters, mystical and spiritualist as well as alchemical and Paracelsian writings circulated side by side. In this context, spiritual alchemy eventually reached Jacob Boehme. According to his understanding, laboratory alchemy was but a lesser, grossly material reflection of spiritual alchemy.
Drawing extensively on the manuscript record, this study traces how Boehme’s spiritual alchemy ultimately came to shape Mary Anne Atwood’s enduringly popular Suggestive Inquiry into the Hermetic Mystery. It appears that a formerly minor strand of early-modern alchemy exerted crucial influence on this first major presentation of modern alchemy.
Click here to download the title page, table of contents, and summary.